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In more recent times, as communication technologies evolved, each new technique, such as printing, photography, motion pictures and computers, has been adapted to display and disseminate these depictions.[3]
In early times, erotic depictions were often a subset of the indigenous or religious art of cultures and as such were not set aside or treated differently than any other type. The modern concept of pornography did not exist until the Victorian era. Its current definition was added in the 1860s, replacing the older one meaning writings about prostitutes.[6] It first appeared in an English medical dictionary in 1857 defined as "a description of prostitutes or of prostitution, as a matter of public hygiene."[7] By 1864, the first version of the modern definition had appeared in Webster's Dictionary: "licentious painting employed to decorate the walls of rooms sacred to bacchanalian orgies, examples of which exist in Pompeii."[8] This was the beginning of what today refers to explicit pictures in general. Though some specific sex acts were regulated or prohibited by earlier laws, merely looking at objects or images depicting them was not outlawed in any country until 1857. In some cases, the possession of certain books, engravings or image collections was outlawed, but the trend to compose laws that actually restricted viewing sexually explicit things in general was a Victorian construct.[3]
There are numerous sexually explicit paintings and sculptures from the ruined Roman buildings in Pompeii and Herculaneum but the original purposes of the depictions can vary. On one hand, in the Villa of the Mysteries, there is a ritual flagellation scene that is clearly associated with a religious cult and this image can be seen as having religious significance rather than sexual. On the other hand, graphic paintings in a brothel advertise sexual services in murals above each door. In Pompeii, phalli and testicles engraved in the sidewalks were created to aid visitors in finding their way by pointing to the prostitution and entertainment district as well as general decoration. The Romans considered depictions of sex to be decoration in good taste, and indeed the pictures reflect the sexual mores and practices of their culture, as on the Warren Cup. Sex acts that were considered taboo (such as oral sex) were depicted in baths for comic effect. Large phalli were often used near entryways, for the phallus was a good-luck charm, and the carvings were common in homes. One of the first objects excavated when the complex was discovered was a marble statue showing the god Pan having sex with a goat, a detailed depiction of bestiality considered so obscene that it was not on public display until the year 2000 and remains in the Secret Museum, Naples.[2][3][25]
Erotic scenes in medieval illuminated manuscripts also appeared, but were seen only by those who could afford the extremely expensive hand-made books. Most of these drawings occur in the margins of books of hours. Many medieval scholars think that the pictures satisfied the medieval cravings for both erotic pictures and religion in one book, especially since it was often the only book someone owned. Other scholars think the drawings in the margins were a kind of moral caution, but the depiction of priests and other ranking officials engaged in sex acts suggests political origins as well.[3]
In the 16th century an attempt to print erotic material caused a scandal when the well-known Italian artist Marcantonio Raimondi published I Modi in 1524, an illustrated book of 16 "postures" or sexual positions. Raimondi was subsequently imprisoned by the Pope Clement VII and all copies of the illustrations were destroyed. Raimondi based the engravings on a series of erotic paintings that Giulio Romano was doing as a commission for the Palazzo del Te in Mantua. Though the two depictions were very similar, only Raimondi was prosecuted because his engravings were capable of being seen by the public. Romano did not know of the engravings until Pietro Aretino, considered a founder of pornography,[36][37] came to see the original paintings while Romano was still working on them. Aretino then composed sixteen explicit sonnets ("both in your cunt and your behind, my prick will make me happy, and you happy and blissful")[3][38] to go with the paintings and secured Raimondi's release from prison. I Modi was then published a second time in 1527, with the poems and the pictures, making this the first time erotic text and images were combined, though the papacy once more seized all the copies it could find. Raimondi escaped prison that time, but the censorship was so strict that no complete editions of the original printings have ever been found. The text in existence is only a copy of a copy that was discovered 400 years later.[3][38]
In 1841, William Fox Talbot patented the calotype process, the first negative-positive process, making possible multiple copies.[47] This invention permitted an almost limitless number of prints to be produced from a glass negative. Also, the reduction in exposure time made a true mass market for pornographic pictures possible. The technology was immediately employed to reproduce nude portraits. Paris soon became the centre of this trade. In 1848 only thirteen photography studios existed in Paris; by 1860, there were over 400. Most of them profited by selling illicit pornography to the masses who could now afford it. The pictures were also sold near train stations, by traveling salesmen and women in the streets who hid them under their dresses. They were often produced in sets (of four, eight or twelve), and exported internationally, mainly to England and the United States. Both the models and the photographers were commonly from the working class, and the artistic model excuse was increasingly hard to use. By 1855, no more photographic nudes were being registered as académie, and the business had gone underground to escape prosecution.[3]
In the 1940s, the word "pinup" was coined to describe pictures torn from men's magazines and calendars and "pinned up" on the wall by U.S. soldiers in World War II. While the '40s images focused mostly on legs, by the '50s, the emphasis shifted to breasts. Betty Grable and Marilyn Monroe were two of the most popular pinup models. In the second half of the 20th century, pornography evolved into the men's magazines such as Playboy and Modern Man of the 1950s. In fact, the beginning of the modern men's glossy magazine (or girlie magazine) can be traced to the 1953 purchase by Hugh Hefner of a photograph of Marilyn Monroe to use as the centerfold of his new magazine Playboy. Soon, this type of magazine was the primary medium in which pornography was consumed.[53]
Penthouse, started by Bob Guccione in England in 1965, took a different approach. Women looked indirectly at the camera, as if they were going about their private idylls. This change of emphasis was influential in erotic depictions of women. Penthouse was also the first magazine to publish pictures that included pubic hair and full frontal nudity, both of which were considered beyond the bounds of the erotic and in the realm of pornography at the time. In the late 1960s, magazines began to move into more explicit displays often focusing on the buttocks as standards of what could be legally depicted and what readers wanted to see changed. By the 1970s, they were focusing on the pubic area and eventually, by the 1990s, featured sexual penetration, lesbianism and homosexuality, group sex, masturbation, and fetishes in the more hard-core magazines such as Hustler.[3][53]
The Devil in Miss Jones followed in 1973 and many predicted that frank depictions of sex onscreen would soon become commonplace, with William Rotsler saying in 1973, "Erotic films are here to stay. Eventually they will simply merge into the mainstream of motion pictures and disappear as a labeled sub-division. Nothing can stop this".[67] In practice, a combination of factors put an end to big budget productions and the mainstreaming of pornography, and in many places it never got close - with Deep Throat not approved in its uncut form in the UK until 2000, and not shown publicly until June 2005.[63][68][69] 2b1af7f3a8